A superb article in IMF’s F&D Sep-14 edition by Simon Wilson.
He points how Beatles helped UK tide off its forex crisis for some years in 1960s. Via its concerts it got foreign exchange to UK. It also became a case for live music being exported and recognised as a BOP earning perhaps for the first time:
In February 2014 a musical celebration in a drab, cavernous warehouse in central Washington, D.C., marked the first U.S. concert played by British rock band The Beatles in the same building exactly 50 years earlier. But this year’s event was also the 50th anniversary of live music’s debut as a serious foreign exchange earner.
In 1964, major exchange rates were fixed under the Bretton Woods system introduced—along with the IMF and the World Bank—in 1944. The IMF was formed to help keep these exchange rates stable, and the major economies also used exchange controls to maintain their currencies’ value. These controls meant that corporations and private citizens had to have government permission to convert their domestic money to foreign currency and could do so only within legal limits.
Maintaining fixed exchange rates placed enormous importance on the major economies’ trade balances, since the hard currency earned by exports or spent on imports effectively set exchange rate levels. Britain’s pound sterling was under sustained downward pressure in the mid-1960s from a persistently adverse trade balance, and the U.K. government of the day was fighting to preserve the pound’s parity of $2.80 and avoid the ignominy of formal devaluation within the Bretton Woods system.
Then came the Beatles:
Along came The Beatles—mere minstrels to many, but to the U.K. government a magical machine for printing U.S. dollars. Major live popular musical acts in the mid-1960s typically earned only domestic currency. U.S. singer Elvis Presley, for example, never performed outside North America and Hawaii, and his concert earnings were all in U.S. dollars apart from four appearances in Canada.
The Beatles by contrast posted world-record dollar-denominated concert receipts from appearances during U.S. tours in 1964, 1965, and 1966. Media reports said they earned a net $650 a second in today’s dollars performing live in 1965. Furthermore, in 1966 the band also embarked on concert tours of Germany and Japan that raked in massive performance fees denominated in deutsche marks and yen. At the very same time, sterling was under increasing pressure from a U.K. consumption boom that was boosting imports and a prolonged seamen’s strike that was blocking exports.
By cashing in their hard-currency appearance fees, The Beatles joined an elite category of British “invisible” exporters: commercial enterprises that earned foreign currency not from the manufacture and transshipment of visible, physical goods, but from invisible credits and receipts. The U.K. current account in the mid-1960s would have been in constant deficit absent traditional British invisible exports at the time arising from financial services, insurance, patents, and copyrights. To this ledger The Beatles now added earnings from their own invisibles: ticket sales, appearance fees, music royalties, merchandise licensing, and performance rights.
This led British PM Harold Wilson, an economist to give the Band OBE tag:
Britain’s prime minister in the mid-1960s was an award-winning Oxford-educated economist, Harold Wilson, whose keen professional eye quickly noted The Beatles’ contribution to the balance of payments as his government struggled to defend sterling. In November 1965 Wilson duly decorated the band as Members of the Order of the British Empire, a national honor usually accorded leading industrialists, entrepreneurs, and inventors.
As attendance at Beatles concerts soared and venues grew increasingly chaotic, public order was threatened and the band stopped appearing live in concert altogether in August 1966. A year later, sterling was devalued to $2.40, and the United Kingdom requested loans from the IMF in 1967 and 1969. Today, key exchange rates float, and major governments no longer need to defend fixed parity with exchange controls or scramble for invisible exports to bolster sagging trade balances. But 50 years ago, The Beatles’ historic hard-currency earnings were Britain’s secret weapon in a three-year effort to fend off devaluation.
Next time India gets into a forex crunch, the govt knows whom to request. Assemble a solid star cast from Bollywood and India’s classical musicians and conduct shows across the world. Given many Indians abroad and craze for the stars, this should be doable. Instead of chasing NRI for their deposits and taking all kinds of risks on the balance sheet, this one will be just much simpler and less risky. Instead of Roadshows we will have starshows to pile on forex earnings and boost forex reserves. Infact, why not plan some already and build reserves overtime?
I am actually wondering how these shows get recorded in India as some shows keep going on throughout the year. Do we record them as invisible earnings? Must be as we follow international standards..